A sostegno dell'Arte I, 1990

(...) The idea of the series for Umberto Cavenago today appears to be a possibility of reading art in a horizontal sense, in a sense that does not necessarily privilege this or that moment, but finds its own dimension in the interaction of forms. Cavenago builds vehicles, objects that rest on precariously balanced wheels that support the thesis of an instability of art, or rather of the stereotypes on which a certain type of analysis is based, the exclusively formal one.(...)