Tradition has it that at Morgarten, in 1315, the Confederates welcomed the Habsburg knights by rolling boulders and tree trunks down the slope; that at Näfels, in 1388, the men of Glarus answered the assault with a hail of stones; that at Giornico, in 1478, the clash passed into memory as the battle of the “Sassi Grossi”, the big stones. In this story the mountain is not a backdrop: it is an arsenal. One fights with what the landscape provides, and the landscape, here, is made above all of stone.
With history pacified, the gesture survives as a sport. Steinstossen, stone throwing, has its relic in the Unspunnen stone: 83.5 kilograms of granite made famous by the Unspunnen festival, founded in Interlaken in 1805. But not even the relic escapes its ballistic destiny. In 1984 it was taken by Jura separatists; in 2001 it reappeared engraved with the European stars; in 2005 it vanished again, replaced by a paving stone bearing the Jura coat of arms. Since then contests have been held with a spare stone found on the Grimsel. Even the symbolic stone, in Switzerland, ends up being thrown elsewhere.
Cavenago’s erratics, from the jewel of Gioia erratica to the inhabitable boulders of Lugano and the Maloja, take part in the tradition in their own way: they are stones to be looked at, inhabited, at most worn. Throwing them remains, for now, a hypothesis.
Translation: Archivio Umberto Cavenago